Ragazzo + Ragazza = ♂❤♀: Michel Rubini | Various Artists ~ MANHUNTER™ (1986)

Enter the mind of a serial killer...

you may never come back.

It's just you and me now, sport...

Hannibal Lecter's legacy of evil begins here

When are you gonna kill him?

I'm not. It's only my job to find him.

...Will Graham is a former FBI agent who recently retired to Florida with his wife Molly and their young son. Graham was a 'profiler'; one who profiles criminal's behavior and tries to put his mind into the minds of criminals to examine their thoughts while visiting crime scenes. Will is called out of his self-imposed retirement at the request of his former boss Jack Crawford to help the FBI catch an elusive serial killer, known to the press as the 'Tooth Fairy', who randomly kills whole families in their houses during nights of the full moon and leaves bite marks on his victims. To try to search for clues to get into the mind of the killer, Will has occasional meetings with Dr. Hannibal Lecktor, a charismatic but very dangerous imprisoned serial killer that Will captured years earlier which nearly drove him insane from the horrific encounter that nearly cost Will's life. With some help and hindrance, Will races against the clock before the next full moon when the 'Tooth Fairy' will...

MANHUNTER™ (1986)
Original Motion Picture Soundtrack

Original Music by Michel Rubini

Michel Rubini was born on December 3, 1942 in Los Angeles, California, United States. He's an American musician and composer, best known for his work composing motion picture soundtracks. He is a professional classical pianist since early childhood. During 1960s and 1970s, Rubini worked on tours, with such stars as Ray Charles, Frank Zappa, Sonny and Cher and Barbra Streisand.

In 1985 he composed Graham's Theme for Michael Mann's film Manhunter. (The film itself was shot and released a year later.) The theme composed by Rubini for Manhunter was also dark.

Manhunter's soundtrack "dominates the film", with music that is "explicitly diegetic the entire way". Steve Rybin has commented that the music is not intended to correlate with the intensity of the action portrayed alongside it, but rather to signify when the viewer should react with a "degree of aesthetic distance" from the film, or be "suture[d] into the diegetic world" more closely. The soundtrack album was released in limited quantities in 1986, on MCA Records (#6182). It was not, however, released on compact disc at the time, but only on cassette tape and vinyl record. On 19 March 2007, a two-CD set entitled Music from the Films of Michael Mann was released, featuring four tracks from Manhunter: The Prime Movers' "Strong As I Am", Iron Butterfly's "In-A-Gadda-Da-Vida", Shriekback's "This Big Hush", and Red 7's "Heartbeat". In March 2010, Intrada Records announced that they were releasing the Manhunter soundtrack on CD for the first time, with an extra track, "Jogger's Stakeout" by The Reds.

The Reds were contacted about contributing to the film's soundtrack after submitting their music for possible use on Miami Vice. They recorded their score over a period of two months, in studios in New York and Los Angeles. They recorded a total of 28 minutes of music for the film; however, several cues were replaced later with music by Shriekback and Michel Rubini. "Comfortably Numb" by Pink Floyd and "I Had Too Much to Dream (Last Night)" by The Electric Prunes have both been cited by The Reds' vocalist Rick Shaffer as influences on the film's soundtrack. Mann selected "Strong as I Am" by The Prime Movers for the film and later funded the filming of a music video for the song's release as a single.

CD, Album
Michel Rubini | VA
MANHUNTER™
Original Motion Picture Soundtrack
Original Release Date: 1986
Genre: Soundtrack, Electronic, Rock, New Age
Label: MCA
© MCA Records, Inc.

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Song Title:

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~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
1- Strong As I Am (The Prime Movers) |4:28

2- Coelocanth (Shriekback) |4:05

3- This Big Hush (Shriekback) |5:57

4- Graham's Theme (Michel Rubini) |3:49

5- Evaporation (Shriekback) |3:11

6- Heartbeat (Red 7) |3:44

7- Lector's Cell (The Reds) |1:40

8- Leed's House (The Reds) |4:22

9- In A Gadda Da Vida (Iron Butterfly) |8:06

+ three compositions (bonus)

10- Seiun (Kitaro) |3:21

11- Freeze (Klaus Schulze) |6:40

12- Avid Fan/Evaporation/Lecter's Message/Seiun (Michel Rubini) |7:43

Total Time: 57:11

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

| DDD | Audio CD | CBR 320 Kbps/44.1 kHz/Stereo |

| File size: 115 mb | Pass: graham |

"Graham's Theme"
Created, Performed and Composed by Michel Rubini

"Seiun"
Performed by Kitarô
Courtesy of Geffen Records
by Arrangement with Warner Special Products And Takao Nanri
Written by Kitarô
Published by Sound Design Music, Inc.

"Freeze"
Performed by Klaus Schulze
Courtesy of Metronome Music GmbH, West Germany
Written by Klaus Schulze
Published by P.O.E.M. Musikverlag

"Evaporation"
Performed by Shriekback
Courtesy of EMI Music Publishing, Ltd. and by Arrangement with Warner Special Products, Warner Bros. Records,
Inc.
Written by David Allen, Barry Andrews and Carl Marsh
Published by EMI Music Publishing, Ltd.

"Coelocanth"
Performed by Shriekback
Courtesy of Arista Records Limited and Island Records, Inc.
Written by David Allen, Barry Andrews, Martyn Barker and Carl Marsh
Published by Point Music, Ltd.

"This Big Hush"
Performed by Shriekback
Courtesy of Arista Records Limited and Island Records, Inc.
Written by David Allen, Barry Andrews, Martyn Barker and Carl Marsh
Published by Point Music, Ltd.

"Strong As I Am"
Performed by The Prime Movers
Courtesy of Island Records
Written by Severs Ramsey, Gary Putman, Curt Lichter and Gregory Markel
Published by Island Music, Inc. / Bad Basket Music

"In-A-Gadda-Da-Vida"
Performed by Iron Butterfly
Courtesy of Atlantic Recording Corp.
by Arrangement with Warner Special Products
Written by Doug Ingle
Published by Cotillion Music, Inc., Ten East Music And Iron Butterfly, Inc.

"Heartbeat"
Performed by RED 7
Courtesy of MCA Records, Inc.
Written by Michael Becker AND Gene Stashuk
Published by Colgems-EMI Music, Inc. And She Said Music

"Lector's Cell"
by The Reds

"Leed's House"
by The Reds

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Here: Amazon!

& here: MedFire!

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Manhunter is a 1986 American thriller film based on Thomas Harris's novel Red Dragon. Written and directed by Michael Mann, it stars William Petersen as Will Graham and features Brian Cox as Hannibal Lecktor. When asked to investigate a killer known as "The Tooth Fairy", FBI profiler Will Graham comes out of retirement to lend his talents to the case, but in doing so he must confront the specter of his past and meet with a jailed killer who nearly counted Graham amongst his victims. Dennis Farina co-stars as Jack Crawford, Graham's superior at the FBI, and serial killer Francis Dollarhyde—"The Tooth Fairy"—is portrayed by Tom Noonan.

Manhunter focuses on the forensic work carried out by the FBI to track down the killer and shows the long-term effects that cases like this have on Graham, highlighting the similarities between him and his quarry. The film features heavily stylized use of color to convey this sense of duality, and the nature of the characters' similarity has been explored in academic readings of the film. This was not the first adaptation of a Harris novel for the screen—the 1975 novel Black Sunday, a story of a terrorist attack on the Super Bowl, was made into a film in 1977—but it was the first film to feature serial killer "Hannibal the Cannibal", who would later appear in The Silence of the Lambs, Hannibal, Red Dragon and Hannibal Rising.

Opening to mixed reviews, Manhunter fared poorly at the box office at the time of its release, making only $8.6 million in the United States. However, it has been reappraised in more recent reviews and now enjoys a more favorable reception, as both the acting and the stylized visuals have been appreciated better in later years. Its resurgent popularity, which may be due to later adaptations of Harris' books and Petersen's success in CSI: Crime Scene Investigation, has seen it labelled as a cult film.

Official Theatrical Trailer!

Directed by Michael Mann

Screenplay by Michael Mann

Based on "Red Dragon" by Thomas Harris

Starring: William Petersen, Kim Greist, Joan Allen, Brian Cox, Dennis Farina, Stephen Lang, Tom Noonan

Music by Michel Rubini, The Reds

Cinematography: Dante Spinotti

Editing by Dov Hoenig

Studio: De Laurentiis Entertainment Group, Red Dragon Productions

Distributed by De Laurentiis Entertainment Group

Release Date: August 15, 1986

Filming Locations: Atlanta, Georgia, USA

Production Co: De Laurentiis Entertainment Group (DEG), Red Dragon Productions S.A.

Produced by Richard A. Roth

Will Graham Has The Mind Of A Psychopath

Thank God He's On The Right Side Of The Law

Storyline:

Will Graham (William Petersen) is a former FBI criminal profiler who has retired because of a breakdown after being attacked by a cannibalistic serial killer, Dr. Hannibal Lecktor (Brian Cox). Graham is approached at his Florida home by his former FBI superior Jack Crawford (Dennis Farina), who is seeking help with a new serial killer case. Promising his wife (Kim Greist) that he will do nothing more than examine evidence and not risk physical harm, Graham agrees to visit the most recent crime scene in Atlanta, where he tries to enter the mindset of the killer, now dubbed the "Tooth Fairy" by the police for the bite-marks left on his victims.

Having found the killer's fingerprints, Graham meets with Crawford. They are accosted by tabloid journalist Freddie Lounds (Stephen Lang), with whom Graham has a bitter history. Lounds' paper had run photographs of Graham taken secretly while he was hospitalized. Graham pays a visit to Lecktor, a former psychiatrist, in his cell and asks for his insight into the killer's motivations. After a tense conversation, Lecktor agrees to look at the case file. Lecktor later contrives to obtain Graham's home address by deceit.

Kitaro ~ "Seiun" Manhunter (1986)

Save yourself, kill them all!

Graham travels to the first crime scene in Birmingham, Alabama, where he is contacted by Crawford, who tells him of Lounds' tabloid story on the case. Crawford also patches Graham through to Frederick Chilton (Benjamin Hendrickson), Lecktor's warden, who has found a note in Lecktor's personal effects. Reading it, they realize it is from the Tooth Fairy, expressing admiration for Lecktor—and an interest in Graham. Crawford brings Graham to the FBI Academy at Quantico, where a missing section of the note is analyzed to determine what Lecktor has removed. It is found to be an instruction to communicate through the personals section of the National Tattler, Lounds' newspaper. The FBI intended to plant a fake advertisement to replace Lecktor's, but they realize that without the proper book code the Tooth Fairy will know it is fake. So they let the advertisement run as it is, and Graham organizes an interview with Lounds, during which he gives a false and derogatory profile of the Tooth Fairy to incite him.

Francis Dollarhyde: Do you know who I am?

Freddy Lounds: I don't want to know who you are.

Francis Dollarhyde: According to you,

I'm a sexual pervert... an animal, you said.

You know who I am now?

Freddy Lounds: Yes.

After a sting operation fails to catch the killer, Lounds is kidnapped by the Tooth Fairy (Tom Noonan). Waking in the killer's home, he is shown a slideshow of William Blake's The Great Red Dragon paintings, along with the Tooth Fairy's past victims and slides of a family the killer identifies as his next targets. Lounds is forced to tape-record a statement before being set on fire in a wheelchair and killed, his flaming body rolled into the parking garage of the National Tattler as a warning.

Graham is told by Crawford that they have cracked Lecktor's coded message to the Tooth Fairy—it is Graham's home address with an instruction to kill the family. Graham rushes home to find his family safe but terrified. After the FBI moves Graham's family to a safehouse, he tries to explain to his son Kevin why he had retired previously. At his job in a St. Louis film lab, Francis Dollarhyde—The Tooth Fairy—approaches a blind co-worker, Reba McClane (Joan Allen), and ends up offering her a lift. They go to Dollarhyde's home, where Reba is oblivious to the fact that Dollarhyde is watching home-movie footage of his planned next victim. She kisses him and they make love. Dollarhyde is confused by this newfound relationship, though it helps suppress his bloodlust. Just as Graham comes to realize how much the Tooth Fairy's desire for acceptance factors into the murders, Dollarhyde watches as Reba is escorted home by another co-worker. Mistakenly believing them to be kissing, Dollarhyde murders the man and abducts Reba. When she calls him Francis, he tells her "Francis is gone. Forever."

Desperately trying to figure out a connection between the murdered families, Graham realizes that someone must have seen their home movies. He and Crawford deduce where the films were processed. They identify the lab in St. Louis and fly there immediately. Dollarhyde has been casing the victims' homes through home movies, enabling him to prepare for the break-ins in extreme detail. Graham determines which employee has seen these films and obtains Dollarhyde's home address, to which he and Crawford travel with a police escort. At Dollarhyde's home Reba is terrified as he contemplates what to do with her. As he struggles to kill Reba with a piece of broken mirror glass, police teams assemble around the house. Seeing that Dollarhyde has someone inside with him, Graham lunges through a window. He is quickly subdued by Dollarhyde, who retrieves a shotgun and uses it to wound Crawford and kill two police officers. Wounded in the firefight, Dollarhyde returns to the kitchen to shoot Graham, but misses because of his injuries and is killed himself when Graham returns fire. Graham, Reba, and Crawford are tended to by paramedics before Graham returns home and retires permanently.

Will Graham, Manhunter Tribute Video

Kim Greist as Molly Graham

Cast:

William Petersen as Will Graham. Richard Gere, Mel Gibson and Paul Newman were considered for the role, but Mann cast Petersen after seeing footage from To Live and Die in L.A. Petersen spent time with officers of the Chicago Police Department researching for his role.

Tom Noonan as Francis Dollarhyde. Noonan credits his ability to improvise during rehearsals for his casting. He took up bodybuilding to prepare physically for the part. He began preparation for his role by studying other serial killers, but quickly rejected this approach. While shooting the film, Noonan remained in character at all times, keeping away from cast members playing his pursuers.

Dennis Farina as Jack Crawford. Farina had already worked with Mann before, making his acting début in the 1981 film Thief before appearing in Crime Story and several episodes of Miami Vice. Farina had already read the novel Red Dragon, and was called to audition at the same time as Brian Cox.

Kim Greist as Molly Graham. Greist, who according to reviews was "wasted in a tiny role", had previously worked with Mann on an episode of Miami Vice.

Brian Cox as Dr. Hannibal Lecktor. Actors John Lithgow, Mandy Patinkin, and Brian Dennehy, and director William Friedkin were also considered for the part of Lecktor, whose name was changed from the novel's "Lecter" for unknown reasons. Cox based his performance on Scottish serial killer Peter Manuel. Cox was asked to audition with his back turned to the casting agents, as they felt they needed to focus on the power of his voice when considering him for the part.

Joan Allen as Reba McClane. In preparation for her role, Allen spent time with the New York Institute for the Blind, learning to walk through New York blindfolded. She had previously worked with co-star William Petersen on stage, in the 1980 Steppenwolf Theatre Company production of Balm in Gilead.

Stephen Lang as Freddy Lounds. Lang had previously starred in Band of the Hand, on which Mann was executive producer. He went on to appear in the Mann-produced Crime Story with Farina and in Mann's 2009 film Public Enemies.

William Petersen as Will & Greist as Molly, Graham

Themes:

Visually, Manhunter is driven by strong color cues and the use of tints, including the hallmark blue of Mann's work. Dante Spinotti has noted that these visual cues were meant to invoke different moods based on the tone of the scenes in which they were used: cool blue tones were used for the scenes shared between Will Graham and his wife Molly, and unsettling greens and magentas were used for the scenes with the killer Francis Dollarhyde. Steven Rybin has observed that "blue is associated with Molly, sex, and the Graham family home", while green denotes "searching and discovery", pointing out the color of Graham's shirt when the investigation begins and the green tone of the interior shots in the Atlanta police station. John Muir suggests that this helps identify the character of Graham with the "goodness" of the natural world, and Dollarhyde with the city, "where sickness thrives". This strongly stylized approach drew criticism from reviewers at first, but has since been seen as a hallmark of the film and viewed more positively.

Academic studies of the film tend to draw attention to the relationship between the characters of Graham and Dollarhyde, noting, for example, that the film "chooses to emphasize the novel's symbiotic relationships between Graham, Lecter and Dolarhyde by visual techniques and screen acting where subtlety plays a key role". In his book Hearths of Darkness: The Family in the American Horror Film, Tony Williams praises the depth of the film's characterizations, calling Dollarhyde a "victim of society" and his portrayal "undermining convenient barriers between monster and human". Philip L. Simpson echoes this sentiment in his book Psycho Paths: Tracking the Serial Killer through Contemporary American Film, calling Manhunter a "profoundly ambiguous and destabilizing film" which creates "uncomfortable affinities between protagonist and antagonist". Mark T. Conard's The Philosophy of Film Noir follows this same idea, claiming that the film presents the notion that "what it takes to catch a serial killer is tantamount to being one".

William Petersen Interview for Manhunter 1986

"The Tooth Fairy"
Red Dragon

"I was really wound up. I was doing 50 push-ups between each take, and we were doing take after take." – Noonan on filming his role as the Tooth Fairy.

You owe me awe! Do you know who I am?

Michael Mann retouches Tom Noonan’s tattoos in Manhunter '86

Visually, Manhunter is driven by strong color cues and the use of tints, including the hallmark blue of Mann's work. Dante Spinotti has noted that these visual cues were meant to invoke different moods based on the tone of the scenes in which they were used: cool blue tones were used for the scenes shared between Will Graham and his wife Molly, and unsettling greens and magentas were used for the scenes with the killer Francis Dollarhyde. Steven Rybin has observed that "blue is associated with Molly, sex, and the Graham family home", while green denotes "searching and discovery", pointing out the color of Graham's shirt when the investigation begins and the green tone of the interior shots in the Atlanta police station. John Muir suggests that this helps identify the character of Graham with the "goodness" of the natural world, and Dollarhyde with the city, "where sickness thrives".

This strongly stylized approach drew criticism from reviewers at first, but has since been seen as a hallmark of the film and viewed more positively.
Academic studies of the film tend to draw attention to the relationship between the characters of Graham and Dollarhyde, noting, for example, that the film "chooses to emphasize the novel's symbiotic relationships between Graham, Lecter and Dolarhyde [sic] by visual techniques and screen acting where subtlety plays a key role". In his book Hearths of Darkness: The Family in the American Horror Film, Tony Williams praises the depth of the film's characterizations, calling Dollarhyde a "victim of society" and his portrayal "undermining convenient barriers between monster and human". Philip L. Simpson echoes this sentiment in his book Psycho Paths: Tracking the Serial Killer through Contemporary American Film, calling Manhunter a "profoundly ambiguous and destabilizing film" which creates "uncomfortable affinities between protagonist and antagonist". Mark T. Conard's The Philosophy of Film Noir follows this same idea, claiming that the film presents the notion that "what it takes to catch a serial killer is tantamount to being one".

"Strong As I Am" by The Prime Movers